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"STREET SKINS & Other Tactile Encounters " @ 66 Balmy

April & May 2006

 

Art Explosion

Spring Open Studios!

 

(San Francisco, CA) Here is something you don’t get to see everyday, the inside of a working artists studio. The behind the scenes look at the creative process in action. The Art Explosion Studios presents their Spring Open Studios  “MELT 2006” which offers the chance to walk through the studios of over 100 artists and see how they do it. You’ll get to ask them about their technique and what inspires them while they personally show you their work.

This show always has surprises with so much original art by such a wide variety of artists on view. Many of the artists have work in shows around town and in galleries. This is a chance to see a lot of that work under one roof and see a lot of each artists work. Some shows just have a few pictures from each artists, but this show will have a lot of the artists work on display to give the you a chance to get a feeling for the artists and pick and choose from their work.

The sheer breadth of the show can remind you of a museum visit and in the past there have been works on display that have later ended up in museum collections. This is a chance to see the San Francisco art scene with a backstage pass so don’t miss it. The Art Explosion Studios have been around for over 10 years and has 36,000 sq/feet of studio and gallery space in two locations within a few blocks of each other and the show promises to be a memorable art night out.

 

“MELT” Spring Open Studios

Opening Reception Fri. 4/28/06   7pm-11pm

Open Studios: Saturday 4/29/06 12pm-5pm

                              Sunday 4/30/06 12pm-5pm

 

The Art Explosion Studios & Gallery

2425 17th Street @ Potrero

744 Alabama Street @ 19th

 

 



OPEN NETWORK: Brooklyn is an exhibition of painting, sculpture, works on paper, and video that serves as a flashpoint for an ongoing and evolving dialogue amongst a loosely defined group of New York-based artists. The title for the exhibition is taken from the practice of sharing internet access over wireless networks to foster the unfettered exchange of information. Through such cooperative structures, ideas become the primary determinant in shaping communities. This model forms the framework for a curatorial practice that investigates not only individual artistic production, but also how that production is informed by the larger social context of common interests.

Work by Larry Bamburg, Mai Braun, Dana Frankfort, Kate Gilmore, Olen Hsu, Jessica Jackson Hutchins, and Paul Lee reveal overlapping conceptual and formal concerns across diverse media. These artists foreground the substantive qualities of their work, as noted by the use of modest, everyday materials, the emphasis on surface, a certain economy of gesture, and location of beauty in unassuming forms. Much of the work is decidedly sculptural in intent. In contrast to the large-scale installations of the latter-half of the 20th Century, however, these artists articulate ideas about spatial considerations through objects that are discrete and smaller in scale. A structural fragility is often evident, emphasizing the work's sensuous physicality and allowing for a sense of the absurd to come into play.

April 7 - May 5, 2006
OPEN NETWORK: Brooklyn

OPENING RECEPTION: Friday, April 7th, 6:00 - 8:30 PM

Larry Bamburg
Mai Braun
Dana Frankfort
Kate Gilmore
Olen Hsu
Jessica Jackson Hutchins
Paul Lee

OPEN NETWORK: Brooklyn is curated by Patricia Maloney, an independent curator based in Berkeley, CA.

ampersand international arts
1001 Tennessee Street (at 20th. st.)
San Francisco, California 94107

 

 

Artist-Xchange Gallery

APRIL ART EXHIBIT – NEW WORKS
FRI, APR 7th, 7PM-10PM

 

EXHIBITING ARTISTS:

Allison Kreft, Elizabeth Ben Porat, dk haas, Melissa Yarbrough, Julie Crosby, Jamie Dorfman, Yezal Achadabraheem, Sohei Yamamoto, Trish Tunney, Pierre-Marie Bee, Claudia Tawaderseh, Pat Markle, Chuck Drees, Sign Language, Carrie Sieh, Mary Tivadar, Roger Licot, Kim Weinberg, Niana Liu, Marinaomi, Sofia Carmi, Ruth Jacobson, Georgianne Fastaia, Hiroko Sakai, Gretchen Walker, MZZ T RZZ, Stephanie Choo.

DJ Yoko

We will have Dj Yoko (I&I SOUND) With true love of music brings positive vibes from Reggae 45s:Roots and Culture,Lovers Rock, Classic/ New Dancehall. Yoko has been djing for two years in Bay area's bar&lounge and clubs. Loving to share Irie vibes with music lovers, her reggae spirits vibes up all nicely. Currently, she plays every Sunday afternoon @ Kate O'Brien's(SF) and the Oxygen bar(Mission District).

Artist-Xchange Gallery
3169 16th Street
San Francisco
CA 94103

(415)-864-1490

Mon-Fri: 12pm - 9pm
Sat: 10am - 9pm
Sun: 10am - 8pm

 

 

April 5, 2006 - April 30, 2006.

Left In the Dark

Portraits of San Francisco movie theatres by Rebecca McBride

Left in the Dark is a photographic series that explores the rich cultural history of film exhibition in San Francisco. The photographs are taken with 35mm and medium format cameras and both black and white as well as color film stocks are used. This body of work reveals a contemporary portrait of today’s movie theatres. The theatres are shown empty, allowing the grandeur of the architecture to take center stage. These independent, single screen theatres, struggle to survive with the growing demand for strip mall multiplexes and home theatres. Left in the Dark documents the importance of exhibition, small businesses, theatre architecture and culture in San Francisco as well as other cities and small towns around the United States.

This project began when the artist was asked to photograph the renovation of the Castro Theatre. Built in 1922, this historic San Francisco movie theatre is one of the handful of single screen movie theatres remaining in the Bay Area. After studying the interior design and stunning beauty of this landmark theatre the artist became intrigued to find out more about other theatres in the area. This exhibition includes images of the Great Star Theatre, New Mission Theatre, Harding Theatre and the now closed Coronet Theatre.

Left in the Dark not only documents an important San Francisco history but also allows these theatres and thus the history to live on for years after the doors have closed. San Francisco is world-renowned for it’s independent film scene and innovative programming of film and video. As the economy plummets, the landscape of this film scene unfolds.

Artists' Television Access
992 Valencia Street
San Francisco, CA 94110
(415) 824-3890
ata@atasite.org

 

The ReGeneration Program for Emerging Artists Presents its Newest Exhibition: Mind Maps

Participating Artists:
Pilar Agüero Esparza, Hector Dio Mendoza, Christianne Dugan-Cuadra, Ana Fernández, Mitsy Avila Ovalles, Anthony Padilla, Diana Sanchez, Zane Peach, Diana Sánchez and Garth Viera

Curated by Galeria's ReGeneration Board, Carolina Ponce de Leon and Raquel De Anda.

 

If maps record the details of, and relationships between, the objects and spaces of a given environment, they also describe the mindset and worldview of the mapmakers themselves.  If a map records the details of, and relationships between, the objects and spaces of a given environment, it also describes the mindset and worldview of the mapmaker. MIND MAPS lets us enjoy both the subjective "maps" of contemporary reality created by eight emerging Latina/Latino artists and the inner processes of perception, reflection, and creation, which produced them.

Creativity is always a subtle and delicate matter.  And while deeply personal, it is also informed by the specific circumstances in which it operates.  Arriving from various backgrounds at this early point in their careers, the artists of MIND MAPS consider life and the world from a thought provoking array of perspectives, and with an admirable range of talents and insights. Together, their work defines a terrain at once social, cultural, historical, political, psychological, emotional, and spiritual. Like a topographical map, the artists describe not only the breadth of contemporary experience in all its variety and texture, but the depth of the human reaction to it as well.

Perhaps what is most important about this exhibition is how the specific context of each artist’s work is so beautifully balanced by a broad, inclusive understanding of the possibilities of experience.  Rather than representing a limited awareness, appreciation of their particular socio-cultural background provides each artist a clear sense of self and purpose that better allows them to recognize and appreciate the commonalities that bridge the apparent differences between peoples, cultures, and societies.  For much of this work is precisely about connection, and forging understandings across perceived boundaries: the borders drawn by maps being, after all, only imaginary constructs.

- Ric Godinez, painter

 

Galería de la Raza
2857 24th Street
San Francisco, CA 94110
Phone: 415-826-8009
Fax: 415-826-6235

Disrupted: A Photographic Installation
about Memory, History & War

@ Intersection for the Arts

by Binh Danh & Elizabeth Moy

May 3 - June 17, 2006

Gallery Hours: Wednesdays - Saturdays, 12-5pm, Free
Opening Reception: Wednesday May 3, 6PM
Artist Talk: Tuesday May 30, 7PM
Film & Video Screening: Tuesday June 13, 7PM

Disrupted is a brand new collaborative project by artists Binh Danh & Elizabeth Moy. Employing photographic and sculptural media, Danh and Moy explore how we tend to both fill in and overlook pieces of the past in our search for personal and historical truth. This project simultaneously utilizes and transcends traditions of photography-based art to investigate how memory and history are manufactured, and how we navigate the imprint of our legacy, and the most catastrophic human conflict - war.

"When Binh Danh prints pictures on leaves, something inexplicable happens. His small, green canvases expand beyond measure with both the seen and the unseen." - National Public Radio

 

Independent Press Spotlight
Kearny Street Workshop


Tues April 11, 2006 - 7:30pm
$5-15/sliding scale

This evening provides a unique opportunity to meet some of our leading local writers, publishers, and performers and learn first-hand what drives the Bay Area’s local independent publishing community. Kearny Street Workshop

(est. 1972) started its publishing imprint in 1982, and was one of the first outlets for the publication of Asian Pacific American literature. As part of the 2006 Intergenerational Writing Lab collaboration between Intersection and Kearny Street Workshop, this evening presents work from the workshops and readings from Kearny Street Workshop’s publications. Featured readers include poet Tsering Wangmo Dhompa, playwright Philip Kan Gotanda, and poet Jaime Jacinto.

 

 

The Hybrid Project: 1906 Earthquake
Wednesday, April 19, 7:30pm


In commemoration of the 100th Anniversary of the 1906 Earthquake, this month’s Hybrid Project showcases new pieces that respond to this city’s most catastrophic natural disaster. This evening features poets and spoken word artists from WritersCorps celebrating the release of their latest youth anthology, Solid Ground. Also featured are dance company EMSpace Dance, documentary filmmaker Dolissa Medina & bass, trombone and didgeridoo player Adam Theis of the Realistic Orchestra and Shotgun Wedding Quintet. $5-$15 (free for under 18)

Intersection for the Arts

446 Valencia

 

Jack Hanley Gallery presents

Adam McEwen

My Mistake

April 8 - 29, 2006

Opening reception: Saturday, April 8th, 6-9 pm

 

 

The Jack Hanley Gallery, San Francisco is pleased to present the first West Coast solo exhibition of the work of New York-based artist Adam McEwen, which will include paintings, photographs and installation.

 

Adam McEwen is known for his work in which he references and subverts the often overlooked or tuned-out symbols and icons of everyday and pop culture.  As described in the Whitney Biennial 2006 catalogue, he utilizes “a series of interventions that jolt us temporarily out of our indifference, owing to over-exposure, toward the signs that dominate our daily lives…McEwen excavates our obsession, in a tabloid-dominated culture.”  He often plays with the recognizable graphic styles of “Sorry We Are Closed” window signs or the large-scale “sale” type banners found at car dealerships, subtly changing the message or wording which may go unnoticed, due to their visual familiarity.  With a similar approach, McEwen exploits the form of the obituary by inserting and essentially killing living celebrities through the act of printing their obituary (as a continuation of or reference to the typical newspaper practice of writing and updating obituaries for celebrities prior to their deaths.)  

 

Adam McEwen's work has been exhibited in one-person shows, most recently, at Nicole Klagsbrun Gallery, New York and previously at Alessandra Bonomo Gallery, Rome and the Wrong Gallery, New York.  His work has been featured in group exhibitions at Dicksmith Gallery in London, Bortolami Dayan, PS1 Contemporary Art Museum, White Columns, and Gavin Brown's Enterprise in New York, and at the CCA Wattis Institute for Contemporary Art in San Francisco, among others.  His work is also currently included in the 2006 Whitney Biennial at the Whitney Museum of American Art in New York.

 

Southern Exposure

Southern Exposure is pleased to present Smart Ass, an exhibition exploring humor in conceptual art making. In the OVERLOOK Project Space SoEx hosts Invisible-5, a self-guided two-CD audio tour along the Interstate-5, between Los Angeles and San Francisco. Public programs include the Invisible-5 Presentation & Panel Discussion on Thursday, April 6 from 7 – 9 pm, and Pep Talks by Susan O’Malley and Christina Amini on Saturday, April 15 from 1 – 4 pm. The exhibitions and events are free and open to the public.

By focusing on the less serious side of conceptual art practice, the artists featured in Smart Ass find humor in their work. Quick thinking wit is a running theme uniting work ranging from sculpture to installation, drawing, photography and video.  Often, the work goes beyond the one liner to expand our notions of what is comical.  Sometimes we giggle from discomfort and at other times we find that we are ultimately laughing at ourselves. Curated by Kelsey Nicholson, this exhibition includes work by Dustin Fosnot, Kora Jünger, Virginia Kleker, Susan O’Malley, Shannon Plumb, Ben Riesman, Ryan Thayer, and Dan Witz.

 

Dustin Fosnot constructs diorama-like animated installations that often depict snowy settings and landscapes.  This Bay Area artist experiments with scale and employs Styrofoam - a material accused of destroying the environment - to represent the natural world. The comical, almost cartoonish aesthetic in his miniature scenes, and his mechanization of meteorological phenomena all take a lighthearted, irreverent approach to representing reality.

 

German artist Kora Jünger presents graphically simple line drawings which feature bold outlines and simplified facial characteristics and seem to reference illustrations for airline safety cards or instruction manuals.  In the World’s Saddest Songs series, Jünger attaches witty titles to her drawings, entitling an image of an old woman blowing into a noisemaker Blow Job.  Other drawings employ whimsical subject matter, like the inflatable jumping castles found at carnivals, to evoke a humorous effect.

 

Virginia Kleker is an Oakland-based video and performance artist who often investigates the dissonance that occurs between corporeal, psychological, and emotional identity.  In a bold performance, the artist took a traveler’s luggage unauthorized from the baggage claim at the airport.  After examining the contents and photographing herself with some of the clothing and personal effects, the artist returned the luggage to the airport, packed with a mock-search inspection notification form.  Not only a commentary on travel safety culture and personal privacy, Kleker seeks to create a contrived intimacy between the subject and the inspector examining their belongings.

 

San Francisco artist Susan O’Malley responds to the realities of daily life and is fascinated with disparate topics such as manicured landscapes and marketing. She stages interventionist performance as part of her “residency” projects. O’Malley attempts to improve and beautify the residents’ lawns by creating installations and sculptures out of their existing property and possessions.

In conjunction with Smart Ass, exhibiting artist Susan O’Malley collaborates with Christina Amini to offer a PEP TALK session on Saturday, April 15th from 1 – 4 pm. The artists will offer twenty-minute individual consultations, providing their services of listening and offering optimistic advice to the public at no charge. To sign up, please call Southern Exposure at 415-863-2141. Appointments will be filled on a first come, first serve basis.

 

Shannon Plumb’s short videos harken back to the early days of silent film and comedic actors like Charlie Chaplin or Laurel and Hardy.  These vignettes are shot on super 8 in one continuous take and then augmented with a simple soundtrack or narration.  This New York drama student-come-filmmaker creates vivid caricatures of familiar figures such as an eager to please temptress, or acts out campy toothpaste commercials and public service announcements.  Plumb cleverly captures the essence of her characters and her depictions invite the viewer to laugh out loud. 

 

Ben Riesman is an Oakland-based artist working with sound, photography and video. For Smart Ass, Riesman collaborates with the public in the spirit of a gift. He will present evidence of these interactions at Southern Exposure. The viewer is left to question the goodwill of the project and wonder where the humor lies.

 

San Francisco artist Ryan Thayer presents two installations that explore consumer and corporate culture and space. Ceiling Tile Wall is a composition of acoustic ceiling tiles that has been built onto the wall, and plays with the ideas of space and purpose. Untitled (Experience of Place) is a closet-sized replica of an office that suggests the claustrophic self-contained nature of that workspace environment.

 

Dan Witz, a New York street artist since the late 1970s, will be exhibiting photographs that document his prank series, in which the small tweaking of signage, architecture or found environments drastically changes the original intent.  Many of his projects are downright funny, such the act of garnishing dog poop on the street with cocktail umbrellas, or anthropomorphizing residential façades into funny faces with the aid a bright red balloon “nose.” For this exhibition, Witz will also create and photograph a site-specific intervention in San Francisco.

 

In the OVERLOOK Project Space, Southern Exposure hosts the exhibit Invisible-5, a self-guided two-CD audio tour along the I-5, between Los Angeles and San Francisco that uses the format of a museum audio tour to guide the listener along the highway landscape, mixing elements of critical tourism and audio documentary. On view are photographs by Kim Stringfellow, audio clips of the tour, and informational materials from collaborating organizations. This project was developed in collaboration by artist Amy Balkin; Greenaction for Health and Environmental Justice; audio lead Tim Halbur; Pond: art, activism & ideas; and artist Kim Stringfellow.

In addition, Southern Exposure hosts the launch of Invisible-5 on Thursday April 6th from 7pm- 9pm. The event will include a presentation of selections from the tour, followed by a panel discussion with Bradley Angel, co-founder of Greenaction for Health and Environmental Justice; artists Amy Balkin and Kim Stringfellow; Tim Halbur, audio lead; and Marie Harrison, community organizer, Greenaction for Health and Environmental Justice. Moderator: Jeannene Przyblyski.

Invisible-5 is supported by the Creative Work Fund.

contact:
Southern Exposure
401 Alabama Street
San Francisco, CA 94110

 

 

Through A Child's Eyes
An International Exhibit of Children's Art

SomArts Bay Gallery
March 30 - April 20, 2006
Reception: Thursday March 30, 5:30 - 8:30pm

Curated by Yumiko Oda, Japan, and Joan Miro, USA

 

 

 

 

The LAB will present The Man Box and Beyond: An exhibit about masculinity and male identity in April-May 2006. Fifteen artists in all visual media have been chosen to participate, many of whom will create new work for the show. The Man Box is about socially constructed gender roles and masculinities. The artists explore, oftentimes through humor and pathos, the Man Box and the consequences of being in this Box, not only on the personal and social level, but also in the larger context of war, a realm still dominated by men. The idea of the Man Box was originated by the Oakland Men’s Project. Originally called “Act Like a Man” box, it is an exercise used to open up discussions about gender roles and how they are enforced, and masculinities and their connection to violence. Men are asked to indicate what messages they were given when told to “act like a man”. This exercise triggers memories of their experiences of pain, humiliation, abuse, lack of love, acceptance, and powerlessness. Many of the artists included in this exhibition also make the idea of the Man Box more complex by adding the issues of race, ethnicity, nationality, economic status, age, and sexual orientation in looking at what it means to be a man today.

 

Featuring Daniel Anderson, Victor Barbieri, Bill Berry, Jaime Cortez, Richard Godinez, Clinton Hensley, Jonn Herschend, John Jenkins, Scott Kildall, Shaun Leonardo, Scott Newell, Emet Sosna, Marq Sutherland, Ehren Tool, and Scott Tsuchitani

April 7–May 6, 2006
Opening Reception: Friday, April 7, 6–9 PM, performance by Shaun Leonardo at 7 PM
Closing Reception, Artists Talk, and distribution of Ehren Tool’s work:
Saturday, May 6, 5-7 PM
Gallery Hours: Wednesdays–Saturdays, 1–6 PM
Free admission

 

The Hapa Project

exhibition opening reception and book launch party

for Kip Fulbeck's new book from Chronicle Books, /The Hapa Project

featuring performances from hapa artists

Date: Thursday, May 11th, 2006
Time: 7 - 9.30pm
Location: 180 Capp Street, @17th Street (San Francisco)
Cost: $5 suggested donation; no one turned away for lack of funds.

image courtesy of Kip Fulbeck

ABOUT KIP FULBECK AND THE HAPA PROJECT
Artist Kip Fulbeck traveled the country photographing over 1000 Hapas from all walks of life – from babies to adults, construction workers to rock stars, gangbangers to pro surfers, schoolteachers to porn stars, engineers to comic book artists. These are gathered together in /The Hapa Project/, the first exhibition and book of its kind to showcase multiracials of partial Asian/Pacific Islander descent.

Avoiding the exoticism often associated with multiraciality, Fulbeck strove to photograph these people as they really are, minus the trappings of everyday life – the clothing and jewelry and makeup. These images are paired with each participant’s handwritten response to the question “What are you?” creating a powerful mosaic of intimacy, beauty, and identity. The individuals here look directly at the camera and the viewer, presenting themselves to the world as a reality that will no longer be ignored. As Fulbeck states, “This is the work I wish was around when I was a kid.”

Kip Fulbeck is a photographer, filmmaker, writer, and spoken-word artist whose work has been exhibited worldwide. He is Professor and Chair of Art at UC Santa Barbara.

For more information, please visit http://www.thehapaproject.com

 

 

Spring Garden party 2006 

 

Garden party art exhibit in the Lovely Mission district of San Francisco  April 16, 2006 2-10 PM $1.00-5.00 donation, no one turned away for lack of funds Project Artaud 401 Alabama Street at 17th. St. San Francisco  The residents of Project Artaud offer a public invitation to celebrate  the history and future of this 35 year old non-profit, member-run arts  organization. Project Artaud houses over 70 individual artists and  several public arts organizations. This spring we celebrate the legacy of Artaud with an exhibition of  work from the oldest to the youngest members of Project Artaud  including; visual arts, theater, film/video, music, storytelling and  much more. This exhibit will be in our spectacular garden park. Come  experience the splendor of this thriving arts community in the heart of  the Mission district! Project Artaud is alive and thriving due to of years of committment to  the arts and our city square block, standing tall on the corners of  17th/Alabama/Mariposa/Florida inviting artists, non-artists and all  people of this planet to come celebrate!

 

 

Michelle O'Connor Gallery and The Blue Studio present

"A KIND OF BLUE"


Open Studios + Group Show

Reception: Friday, April 7 from 6-9 pm
Gallery & Studios Open: Saturday, April 8 from 11 am - 6 pm
Free Admission

With over 30 private artists studios and 3 existing galleries, the 2111
Mission Street Complex represents a diverse cross-section of emerging
San Francisco Artists.

Michelle O'Connor Gallery and The Blue Studio
2111 Mission Street (at 17th in the Mission District)  4th Floor
415-861-3656

 

 

The Drugstore Gallery presents 

After the Flood 

recent paintings by Georgianne Fastaia 

 

March 17th through April 19th 2006 

Art Opening Reception Friday March 24, 2006 6:30-9:30pm

 

 After the Flood, a series of haunting imagined  "floodscapes" and solitary figures caught in  the water was painted in response to Hurricane  Katrina. This exhibition is a shift in her work.  Georgianne is distilling the figure and abstracting  the landscape to create subtle, layered paintings  which describe the desolate calm after the storm.  To express the sense of hope and rediscovery  That often follows tragedy, these paintings are  intentionally imperfect, reconstructed as objects  of beauty despite the flaws--a nail in the wood, a  strand of hair caught in the paint.  After the Flood  seeks to convey the weight of loss while offering  a glimpse of an undeniably beautiful world  reflected in the waters and gray-violet skies.   5% of proceeds donated to the American Red Cross  in its continuing efforts to aid victims of Hurricane Katrina.  5% off all items for sale during the Opening Reception  featuring New Orleans inspired refreshments & a  musical celebration of River Songs.  The Drugstore, Vintage Décor & More  3149 Mission Street  San Francisco, CA 94110  415 282 0544 open 12-7 wed-sun  gallery@drugstorevintage.com

 

 

"The Great Mongol State"

SomArts Main Gallery presents "The Great Mongol State" during the month of April 2006. This exhibition will continue SomArts¹ tradition of presenting the foremost contemporary Mongolian artists, in an exhibition dedicated to the 800th anniversary of the nation of Mongolia and the 840th birthday of Chinggis (spelled in the U.S. as Genghis) Khan.  The paintings included in the exhibition will range from great sweeping landscapes to portraits of Mongolian royalty, from scenes of daily nomadic life to depictions of the great Mongol festivals and shamanic rituals. The opening reception will include performances by visiting Mongolian artists.

 

 


The Art Explosion Studios www.theartexplosion.com