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Brava
June/July 2005

 

Theater

 

Brava for Women in the Arts! Presents KATE CLINTON (The Lesbian Jon Stewart) in Talking a Blue Streak Friday, June 10 thru Sunday, June 12, 2005 Friday & Saturday @ 8pm • Sunday @ 3pm   Kate Clinton is a faith-based, tax-paying, America-loving political humorist. She has worked through economic booms and busts, Disneyfication and Walmartization, gay movements and markets, lesbian chic and queer eyes, and ten presidential inaugurals. She still believes that humor gets us through peacetime, wartime and scoundrel time. Kate has performed nationally for the past 25 years from Joe's Pub in New York City to The Herbst Theater in San Francisco, and back to New York for several off-Broadway runs, with hundreds of comedy club dates in between. She has been featured at Just for Laughs Comedy Festival in Montreal, The Toyota Comedy Festival in New York, and Marshall's Women in Comedy Festival. She has come a long way from her first performances in Unitarian Church basements. In her new show Talking A Blue Streak, Kate riffs from the trenches of her U.S.O. (Utah Seems Odd) Tour from the tiny island nation of New York City to her favorite blue and red states, including the permanent vegetative state of Florida. She encounters blue state folks with such a level of post-traumatic-stress they could use a pill the size of a hubcap. Meanwhile, red state folks celebrate the return of the original girlie-man to the White House - Mr. Karen Hughes - who's all set to co-produce Extreme Makeover: International Edition with Condi Rice and a measly $86 billion. On the Pope front, Clinton was shocked to find she wasn’t even mentioned in the will – given her role as Irreverend of a Queer Nation that has proven to be the quintessential wedgie issue. That's right - queers are the butt thong between the cheek of the church and the cheek of the state. With Kate Clinton, you’ll laugh so hard, all of your cheeks will hurt! Kate’s two decades plus of material are on record in her seven comedy collections including Comedy You Can Dance To, Read These Lips and the recently released The Marrying Kind. In June, the former high school English teacher will celebrate the publication of her second book, What the L?, a laugh-out-loud collection of essays chronicling what happened to a lot of L’s: lesbians, liberals, leftists, lawyers, Ellen, lifestylists, leaders, lords, liars, lapsed Catholics… in the reign of W. Her first book, Don't Get Me Started, was based on past and present monologues; its audio companion was named One of 1998’s Best Audiobooks by Publishers Weekly. A sought after member of the Commentariat, Kate has appeared on Good Morning America, Nightline, Entertainment Tonight, The Rosie O'Donnell Show, The Roseanne Show, Comedy Central, Lifetime, MSNBC, CNN, and C-Span. She hosted the PBS TV series In The Life and The World According To Us, appeared in the film The Secret Lives of Dentists, and is one of four lesbian comics featured in the documentary Laughing  

 

 

And Again We Meet
Dance Ceres

June 10-11 @ Jon Sims 8pm

 

Emerging choreographer, Brittany Brown Ceres presents her world premiere, full-evening of dance with her newly-established modern dance company, Dance Ceres. With the support of the Zellerbach Family Foundation and Theater Bay Area in association with Dancers' Group's CA$H grant, Ms. Ceres will present, "And Again, We Meet", a collection of historical game-playing and love-making, told through the awareness of movement and sound. Historic lesbian reference, twisted social-leisure activities, intricate dance and honest risk fuse to create a performance story to speak for all love affairs.

This full evening of story telling, dance and performance art, is woven together to reveal the details and interior landscapes of two people. "And Again, We Meet"-- opens with a full stage set of dominoes, ready to fall. The collapsed pattern creates the space in which the first movement takes place. Two middle-age characters are the reoccurring protagonists in a playful, yet haunting twist of historic time. Through their recent works presented in festival format, Dance Ceres has evolved as an ensemble in style and sensibility-- expressive and flexible; capable of articulating an increasingly rich language in this world premiere piece.

Included and redeveloped for the evening length performance are two recently successful pieces. "Underneath, all these nothings" is a haunting piece, inspired by the Brothers' Quay's full-length feature film, Institute Benjamenta. The recreation of this gothic, Victorian duet is set to a sparse and breathy score and the dancers are stitched into their costume- representations of Victorian Head-Mistress garb.

Inspired by the little things we are all so afraid to reveal, "Normal People Have Secrets" is seamless series of narrative interludes revolving around both white and not-so-white lies. Through divulgence and release, these interludes intend to pierce the sticky-sweet center of all of our secrets-- that which we are willing to admit and that which we have hidden from even ourselves. With the haunting "Akhmatova Songs", by John Taverner, sung by Patricia Rozorio, this 12 minute dance will be dissected and spread through the evening, revealing stories of many little lingering personal lies.

Finally, a 1920's short story by Gertrude Stein, spoken through a set of ping pong, reveals an interpersonal progression from confusion to clarity within the performers' relationships as they revisit each other through historical time. These stories create the timeline of the evening work. It is as if the time it takes to "know" another person is equal to all time, past, present and future-and each separate journey is full of the same collective stories, revelations, boredom and disasters, spread along unique timelines. Sounds collages, composed by local composer, Ari Messer will round the evening's score with verbal and non-verbal characterization through literature by and about Gertrude Stein and Bertolt Brecht.

Over the past ten years, Ceres has been making dances and presenting her work independently on both coasts. San Francisco has distinguished itself to be a highly charged and inspirational environment for her choreographic process. As a choreographer interested in interpersonal collaborations, expressions of passionate depth and athletic, yet intricate and intimate dancing, Ceres weaves a classic story told from the tragic center of the human experience.

ABOUT DANCE CERES
The mission of Dance Ceres is to realize subtlety through action, individuality through community, immediacy through timelessness, and equality through art. The core inspiration of the work examines crisis and resilience through intricate and energetic dance. It is with the highest caliber of dance, in both the creation and execution that I wish to inspire our community to experience life boldly.

The creation of theatrical events from these experiences elevates the repetition interwoven throughout history and unifies diverse belief systems and communities. By releasing common stories, events and concepts through abstraction, we expose honest, classic lessons and unveil gifts of vulnerability within both performers and witnesses. The company dancers are: Damara Ganley, Emma Stewart, Elizebeth Randall, Sonya Smith and Amy "Ray" Kingwill.

 

 

Stateless by Dan Wolf

 

In the Mancuso Theatre
Intersection + Felonious World Premiere

Created and performed with live music by Dan Wolf & Tommy Shepherd

May 26 through June 4, $9-$15
Thursdays through Saturdays, 8 PM

After Dan Wolf shows Tommy Shepherd a passport and a 42-page letter written by his grandfather, they follow the melody of a traditional song to Hamburg, Germany. Stateless combines live hip-hop music and beatboxing with German, Jewish, and African American history to explore the space in between.

 

 

Company Chaddick presents
Company Chaddick’s 20th Anniversary Season
Featuring Dance Performances from
Company Chaddick’s Repertory
Including a Premiere of a New Work

June 10th -12th and 17th-19th, 2005 (Friday-Sunday)
Project Artaud Theatre in SF.

“We are frequently surprised and delighted while being given insight into what it really means to be a creative choreographer who grapples with her art."
- Aimee Ts’ao - BAR (about Cheryl Chaddick)

Company Chaddick presents Company Chaddick’s 20th Anniversary Season - The performance will include company repertory and a premiere of an intriguing new work. June 10 th –12 th and 17 th -19 th, 2005 Friday - Sunday, at Project Artaud Theatre - 450 Florida St. (17th & Alabama Sts.) in San Francisco. Fri. & Sat. shows are at 8:00 pm and Sundays at 7:00 pm. Special events include: June 10 (Fri) - Post-performance talk with Cheryl Chaddick and dancers; June 11 (Sat.) - Gala benefit reception post-performance $40 (includes performance). Tickets are $20 - general seating. Tickets are available through City Box Office. To order tix call 415-392-4400 or online at http://www.cityboxoffice.com. Tickets also available at tickets.com.

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Cheryl Chaddick believes in being fully open to the creative process and constantly exploring movement with a fresh eye. Her works tackle a variety of themes, often with a feminist perspective and playful sense of humor that allows the audience to laugh at itself and society. The 20th Anniversary Season will reflect this exploration in an eclectic repertoire that showcases Chaddick’s lyricism, elegant phrasing, and a sense of humor. The season will include nine works from past seasons, including: Inner Springs (1986); A View from Paradise (1992); In the Drawer (2000); Scattering of Light (2000); Hard Drive (2001); Ask No More (2001); Bread and Water (2003); Interiors (2003); and Brother to Brother (2004). It will also feature The Calling (2005) a new solo work danced by artistic director Cheryl Chaddick.

Appearing with the company are dancers Jennifer Wright (20th year with the company!), Lorevic Rivera, Pete Litwinowicz, Orcun Malkoclar, Jason Torres Hancock, Jose Ivan Ibarra, Kimberly Brooks Mata, Melanie King, Blane Ashby, Lise Worthen and Cheryl Chaddick.

Cheryl Chaddick, artistic director and choreographer, has been presenting work in the Bay Area for 20 years. Her style, technique, and personal training have been strongly influenced by 15 years of Graham, 12 years of Limon and 10 years of classical ballet. She has danced professionally with Repertory Dance Company of the Southwest, Eugene Ballet, San Francisco Moving Company (currently known as Della Davidson Company) and Zaccho Dance Theater (with whom she toured Europe). After moving to the Bay Area in 1979, Ms. Chaddick performed in works by Anna Sokolow, Bertram Ross, Jennifer Muller, Della Davidson, Joanna Haigood, Deborah Slater, Lory Wilson and Rhonda Martin. She founded her own company in 1985, and has continued to create original and engaging work since that time.

Deeply committed to the local dance community, Ms. Chaddick has also been one of the leading contemporary dance teachers in San Francisco for over 20 years. She has taught at many Bay Area studios including Footwork, Brady Street, ODC and is currently on the faculty of SF Dance Center. She has taught for the Dance and Theater Department at UC Berkeley, Lines Ballet's Pre-Professional Summer program and for more than 7 years she has been commissioned as a teacher and choreographer for SF’s School of the Arts, helping to educated and prepare the next generation of young artists.

As a choreographer, Ms. Chaddick is committed to a diverse repertoire that consistently excites audiences with fresh movement and themes that explore our everyday lives. Through her work she invites us to reflect on our common humanity and intrinsic connection.

 

 

The Matchbox Series:
Workshop Productions at La Val's

Second Sight

written and performed by Lea Bender

6/17, 6/18 and 6/24, 6/25  2005

There are some experiences that leave us changed forever. In this season's second Matchbox Workshop Production, join Crowded Fire Associate Lea Bender on her return journey to a small mountaintop village in Ghana where she finds herself participating in possession rituals with a group of African spirit mediums. Second Sight weaves live solo performance with video and soundscape to tell this incredible true story. Through characters from her time in Ghana (including the lively and often comical spirits themselves), Lea promises to open the door to questions about belief, spirituality and the unknown for both herself and her audiences.

Second Sight was originally created as a 15 minute solo performance in a workshop taught by local treasure Charlie Varon. It was further developed through the support of the Monday Night Series at The Marsh. Local performance artist Lea Bender has just returned from Ghana where she spent three months gathering stories and images to expand Second Sight into a full-length show as part of Crowded Fire's Matchbox Series.


Director: Richard Szpigiel
Lighting Design: Jarrod Fischer
Graphic Design: Chacha Sikes
Stage Manager: Peggy Powell
Producer: Beth Powell
At La Val's Subterranean, 1834 Euclid, Berkeley.

Plays  6/17, 6/18 and 6/24, 6/25, 8 p.m.
Tickets $10 cash or check at the door

 

 

 


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