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"STREET SKINS & Other Tactile Encounters " @ 66 Balmy

May 2005

 

Gallery Shows

 

 

Gage Opdenbrouw @ 66 Balmy Gallery

 

A Bay Area artist, Gage Opdenbrouw was born and raised in San Jose, California, and resides in San Francisco. He is a painter who works in a variety of different modes and sizes, ranging from realism to near-total abstraction. Working primarily from the memory and imagination, he attempts to distill his images to a point where there is a powerful emotional resonance, without being specific or didactic.

He paints primarily in oil, and the vast majority of his works involve the figure or the landscape in one way or another. Opdenbrouw’s paintings comprise several distinct, yet interrelated bodies of work. His body of landscape paintings, often painted from memory or the imagination, explore color and the vastness of space as ways to evoke an emotional response. The “Strangers” series began as a grid of blurred portraits of unrecognizable figures, and has grown into an exploration of identity and often incorporates landscape imagery as well. His figurative paintings span a wide range of styles, ranging from portraits to a series of compositions based on snapshots of anonymous crowds in public places. In addition to his studio work, he also teaches painting & drawing in a private capacity. His paintings have been widely collected, and exhibited across the country.

 

“November” New paintings by San Francisco artist Gage Opdenbrouw.

May 19 – June 5, 2005, Reception Friday, May 20, 7pm to 10pm

Collector’s Preview Thursday, May 19, 5-8pm

 

Gallery open Th-Fri 3-8pm, Sat-Sun 12noon-5pm

66balmy gallery

591 Guerrero Street, San Francisco, 94110

www.66balmy.com

415-522-0502

Free admission

 

 

ILLUSION  @ MCCLA

 

June 4, 2005, theme: TRAVELING

 

The  ILLUSION Concept ---
involves 3 hours of  the personal energy of 30 art
creators working with colors, sounds, bodies, words,
and images, within a pristine space, surrounded by the
audience. The individual artists work separately as
well as with the energy of other artists and the
audience to create a unique atmosphere of live
multi-disciplinary art in one space within the 3 hours
time-frame.

The IILLUSION Space ---
Takes place in the Gallery Museum and Inti Raymi
Gallery of the Mission Cultural Center with
approximately 4,600 square feet of exhibition space
which will be totally covered with white paper (floor,
columns and walls). The white space receives the
audience, who have been invited to come dressed in
black. The audience, dressed in black, promenades for
around 30 minutes, within and around the environment
of the ILLUSION artists, who are dressed in white like
the walls and floors
This year's theme is transportation. The 30 artists
will arrive from the Bart station, an underground
public transit (metro) only a half block from the
building, located on the corner of 24th Street and
Mission St. The artists, dressed in white, will each
carry a white suitcase to hold the necessary materials
for their work. The suitcase doesn't have to be heavy,
as the artists can have more supplies hidden in the
gallery.

ILLUSION Timing ---
5:30 pm: Artists will arrive at the Mission Cultural
Center to prepare materials and check the space. If
somebody needs more time, they can arrive earlier.
6:00 pm: The white space receives the audience, who
are dressed in black.
6:20 pm: Artists go to the 24th Street Bart station.
6:25-6:40 pm: The artists TRAVEL from 24th Street Bart
station through the gallery of the MCCLA to create the
ceremonial circle. The ceremony will be five minutes.
6:45 pm: ILLUSION 2005 begins
9:45 pm: ILLUSION 2005 ends.

ILLUSION Action ---
When the artists are inside the white gallery, a
five-minute indigenous ritual honoring the four
directions and elements will initiate the event. The
artist will then unpack their materials, such as
instruments etc, and begin to work on their creations.
 

ILLUSION locations ---
The musicians will be scheduled as to when they can
play, so that they can each be heard. But is totally
flexible to suit the characteristics of the event. The
visual artists will have an assigned space designed
for their work. Some artists may work combine with
others or they may have more interactive pieces.
Poets will have a lot of space to write on the wall.
Performers and dancers can work freely in the
different spaces of both galleries.

ILLUSION free space for creation ---
In the past two years we have utilized 60 artists, 30
each year- in different disciplines including:
painting, sculpture, drawing, installation, video,
photography, music, poetry, dance, puppet making, body
painting, and performance. The artists work for 3
hours. At the closing, they will have developed a very
special space full of the energy of creation in the
once pristine white spaces.

ILLUSION shows ---
1st: May 30, 2003, theme: CREATION
2nd:  June 25, 2004, theme: REBIRTH
3rd: June 4, 2005, theme: TRAVELING

ILLUSION contact for this show ---
Adrian Arias: ILLUSIONshow3@yahoo.com
Tel: 415-647-7448  / Cell 415-702-7248

 

Arte Sin Fronteras/ Art Without Borders
Youth Art Exhbiit @ MCCLA

Ongoing through May 27th, 2005.


Gallery hours: Tuesday-Saturday, 10am-5pm. $2 Admission.

MCCLA showcases Bay Area youth community of emerging artist working in new and original ways in the visual arts. The works exhibited were selected by a jury panel of recognized artists and educators. Art Without Borders includes a variety of visual art disciplines: painting, sculpture, prints, drawings, photography, video installations and performance.

 

1st prize: Category A
Elizabeth Jaeger

 

Category A: 13-18 years old

1st prize:
Elizabeth Jaeger
2nd prize: Luke Taylor
2nd prize: Miriam Dubinsky
3rd prize: Adrian Ammon

Honorable Mentions

  • Erin Brooks
  • Tanya Rodriguez
  • Adalberto Sumano
  • Naomi Green
  • Paul Biggs
  • Chris Valtiera
  • Ivan Guillermo
  • Rigo Rigoberto
  • Frank Dudrak
  • David Sibrion
  • Gabriela Dematteis
  • Gideon Chase
  • Brenda Hernandez
  • Manon Bogerd

Category B: 19-24 years old

1st prize: Category B
Yadira Casares


1st prize: Yadira Casares
2nd prize: Orlando Luis Velez
3rd prize: Mónica Enríquez
3rd prize: Amy Díaz-Infante

 

Honorable Mentions

  • Inez López
  • Curtis Manzano
  • Melissa Zimmermann
  • Daisy Beltran García

 

#1
laid bare figure drawings,etchings and paintings
by Helen Gotlib
David Gremard Romero
and edgewise arts photographic collection

Artist Reception
Friday May 6th 6-9pm

@ Edgewise Arts
3481-19th st (@Valencia)
open wed-sat 12-7
sun 12-5
and

#2

New Works
by Helen Gotlib
figure drawings and Etchings/Intaglio prints

opening reception May 7th
7-10pm

@Black and Blue tattoo and gallery
381 Guerrero @16th st.
open mon-sun 12-7

 

 

Photographs by Bijan Yashar @ ATA

Born in Tehran, Iran and living in the United States since 1979, Bijan Yashar is a San Francisco-based video artist and photographer. Pursuing his interests in studying the relationship between mind and perception, he has earned a BA in Psychology from UC Santa Cruz and a MA in Educational Psychology from UC Berkeley. Bijan received an MFA in New Genres from San Francisco Art Institute in May 2004, and was a guest artist at the Oakland School for the Arts during Fall 2004. His photographs and video work strive to grasp and visually consider spaces between perception and consciousness, illusion and reality.

May 2, 2005 - May 30, 2005

 

The Bay Area Summer Poetry Marathon
Saturday, May 21, 6 PM – 10 PM
$3-$15 sliding scale admission, no one turned away for lack of funds

Poets from across the U.S. and the Bay Area join together to celebrate innovative poetry in a series of readings throughout the summer. The series' readers include Opal Palmer Adisa, Laura Mullen, Bin Ramke, David Shapiro, and many others. Look for upcoming Poetry Marathon events at The LAB on June 25, July 16, and August 27.

 

“MELT”

Spring Open Studios at the Art Explosion

 

The Art Explosion studios held its annual spring open studios show last month with open studios at both of their locations in the industrial Mission. Sometimes it’s overwhelming to see so much art in one night but that is also the draw of the show. Each location has about 50 artists showing in 18,000 sq/ft of studio space which adds up to over 100 artists showing at the same time. It’s great to be able to stop in and see one artists after another as they show their latest work. The show gives a glimpse into the different perspectives artists have as they develop their art. It also juxtaposes accomplished artists with some that are starting out.  The different artistic styles really make you excersize your own perceptions as you try and understand the different artists. Each year I go I am blown away by the amazing breadth of the work. Everything from ceramics and painting to wall sculptures and “Scientific Art”. When I leave I can’t wait to get back into the studio myself. It is inspiring to see all these artists hard at work.

 

It was a great night for an art opening cause it looked like rain but didn’t actually rain and then cleared up. The threat of rain always makes the journey a little more exciting. There was plenty of parking in the warehouse district at the 17th Street studios at 8pm unlike most inner Mission gigs.  They had a banner sign that read “Art Show” which led the way to the second floor studios. There was a large wall in the entrance area that was dedicated to a silent auction and had small pieces from all the artists in the show. A great cross section of art. Just across from the silent auction were all the refreshments and the classic boxed wine selection. Nothing like some “delicious red” wine. I grabbed a glass and headed around the bend to my first artists studio which was Lee Cline. Thankfully they had an artists directory so I can keep track of everyone’s name. I do not have photographic memory and have trouble even with the aid of a digital camera. Lee Cline does thoughtful sketches and drawings that reflect her years of experience as an artists. It’s not surprising to find out that she heads up the figure drawing sessions at the studios. Her subtle shading and attention to line enable the subjects in her works to convey deep emotions.

 

Right across from Lee is the jewelry studio with Kathleen Maley, Jersey McDermott, and Erica Weeks. I realize now I can’t cover each artist in detail or this article would turn into a novel so I’m going to start the quick reviews right now. The hand made jewelry is unique, interesting and very hip. It’s hard not to take some home with you. So I did. Down the hall is Matt Dejong and his comic sketches, zines and drawings. Great fun to look at all his work and take in the details of his warping, mind blend-o-matic presentation. Next is Sparky Campanella and his minimalistic photography. Sparkey’s work is striking in its beauty and simplicity. Down the way is Wendi Spiers and her ceramic figures of animals with human qualities. Speirs ceramic work has an emotional quality in the figures that makes them unforgettable once you see them. I think I’ll take  a second to catch my breath as I head around the corner to Susan Garry-Lorica’s studio and her divine wire sculptures. On the back wall are Ivy Jacobsen and Tim Svenonius who have open studios on the other side which I’m saving for later. Garry-Lorica has a nice mix of  wood and wire figures and I see the red dot on a nice set of black wire figures floating in counter point to each other. Her figures have an emotive quality and her work is something special. Across the way is Amanda Moeckel that has “art with a message” that is sympathetic toward animal rights. She does animal portraits as well and that takes me back to the refreshment table to stock up for my trek to the east side of the studios.

 

When I first walked in I saw a crowd of people around Paul Bakers “Scientific Art” exhibit.  Amazing contraptions that have magnets floating in thin air and lasers bouncing off mirrors. Paul and his assistant were in white lab coats under a “caution” sign. Watch out!  Next was Alejandra Rassvetaieff and her colorful paintings which have a dreamy feeling to them. Jennifer Wasson had some compelling impressionistic landscapes. Brent Bushnell had his vibrant and energetic paintings. Crystal Sylver had her emotional and erotic oils. Tim Svenonius had his interesting figures of horses and business men. There are plenty of other artists over here but for the sake of just OK writing (I can’t think of anything else to say) and time and space I’ll end it here and refer you to their web site which has more pictures and artists web pages:

www.theartexplosion.com.

 

The show was well attended and crowded at times. There were plenty of free refreshments. The sales were brisk and the art was inspiring. I can’t wait for next April!

 

For more info please go to:

www.theartexplosion.com

 

 

 


The Art Explosion Studios www.theartexplosion.com