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APRIL2005

THEATER & DANCE

 

Cuba Caribe with Dance Mission Theater presents:
The First Annual Cuba Caribe Festival of Dance, Music and Theater

 

This festival promotes the rich and diverse traditions of the Afro-Caribbean diaspora as reflected in music, dance, theater, social concerns, and religion. These traditions, also rooted in other Caribbean countries such as Haiti, the Dominican Republic, Jamaica, Barbados and Guadalupe, have been carefully supported and fostered in Cuba, especially dance. This festival shares the rich Cuban culture with the Bay Area community and explores how Cuban art and culture is being shaped by local Cuban artists who bring their unique perspectives as expatriates to their work.

It will highlight the many dance and music forms of Cuba from the sacred Orisha dances, to the more joyous salsa, to the groundbreaking mixture of African and Modern Dance, and popular forms such as mambo, son, and rumba; but there will also be musical presentations of the Nueva Trova (new song) movement that pays homage to the revolutionary spirit of Cuban people and their strong sense of internationalism.

The shape of American dance has changed because of the influx of Cuban dancers to this country. A recent Dance Magazine feature focused on the contribution that these highly trained and talented Cuban dancers have made to the local and national dance communities in the United States. With their rigorous technical training, many of these dancers bring a whole new level of expertise and passion to ballet and modern dance. They also bring with them a tradition of folkloric and regional dances in which they are equally well trained, and it is the blending of these styles that creates some of the most original work currently seen in this country.

The explosive interest in Cuban culture often overlooks the sensitive political issues between the United States and Cuba. The continued crackdown on travel between the two countries threatens to make the Cuban arts community a community in exile. The recent request for asylum by the 44 Cuban dancers in Las Vegas points to the serious and complicated relationship between the two countries. Panel discussions hosted by Global Exchange will attempt to clarify the current situation and present a forum for the artists that are caught in the crossfire.

The Festival includes panel discussions, workshops and performances, including a panel discussion on the Santeria/Yoruba spiritual tradition that has a huge and vital following of practitioners in the Bay Area. Many women who have been studying Cuban dance have deepened their practice by studying the Orisha dances, embarking on the Santeria path, traveling to Cuba and creating another avenue of cultural exchange. We will host workshops on the various dance styles, Afro-Cuban modern, salsa, Afro-Cuban folkloric, mambo, rumba, and son. The performances will feature work by Ramon Ramos Alayo, Susana Arenas Pedroso, Pazos, Alain Soto, Jose "Cheo" Rojas, Dance Brigade, Liche Fuentes and others.

 

April 8-10, 2005.
April 15-17, 2005.  
April 22-24, 2005
April 29-May 1, 2005
All shows are at 8 pm (except Sundays at 2 pm and 7 pm)
Dance Mission Theater
3316 24th Street (at Mission), San Francisco
Across the street from 24th Street Bart Station 
Tickets: $18 in advance, $20 at door (performances only)
To reserve tix call Dance Mission Box Office at (415) 273-4633.

 

Li Chiao-Ping Dance

Laughing Bodies, Dancing Minds @ ODC

 

With a focus on those tenuous, yet powerful moments when things happen, when we "become," Laughing Bodies, Dancing Minds is a collection of post-modern dance works that uses dramatic physicality to push the edges of the emotional interior. LCPD is dedicated to offering programs of passionate and athletic works, with striking visual design and the music of contemporary composers. This concert features beautiful, elegant solos as well as witty, highly kinetic group pieces.

Fri & Sat, April 15-16 @ 8pm
$15-$18

 

Deborah Slater Dance Theater @ ODC

Furniture Pieces

 

Celebrating Studio 210's 25th year of continuous operation, Art Of The Matter curates 'Furniture Dances,' an evening of music, dances and text created on or about furniture, featuring artists ranging from young to old, from well-known to new.

'Furniture Dances' is inspired by Eric Satie, who called his Gymnopedies 'furniture music,' to be played in the background. They weren't. Using this as a jumping off point, we are inviting a wide range of artists to present their 'furniture' pieces in the context of one evening. The appeal of this is both the humorous possibilities of furniture dances, songs and music as well as the fact that Satie's music has hardly remained in 'the background' over the years and we as artists prevail even though the times conspire to make us less and less visible. Foreground, background, uncertainty...art remains.

Thurs- Sat, April 28- 30 @ 8pm
$12-$18

 

 

 

The Old Man and the Sea by Yugen

 

Theatre of Yugen has a long history of creating theatrical adaptations from literary texts and continues it's signature experimental work based in a discipline of the classic Japanese theater forms - Noh and Kyogen.

In September of 1952 the whole of The Old Man and the Sea appeared in Life magazine, selling over 5 million copies almost instantly. The next week Scribners rolled out the first hardcover edition of 50,000 copies and they too sold out quickly. The book was a huge success both critically and commercially and though Hemingway had known great success before, he had yet to receive any major literary prizes. The Old Man and the Sea changed that, winning the Pulitzer Prize for fiction in 1953 and on October 28, 1954 he won the Nobel Prize for literature.

The Old Man and the Sea tells of an impoverished old man, his love for a young man who also loves him, and his trials in bringing in a big fish. We are introduced to the old fisherman Santiago, who has not caught a fish in 84 days, and his young fishing partner Manolin. We follow Santiago through the next five days as he is literally dragged far out into the waters north of Cuba by a great marlin. After three days of battling the great fish, and going far beyond the limits of himself, Santiago defeats the marlin only to later have it be destroyed by the numerous sharks who attack it on his way back to Havana. Hemingway's basic acknowledgement of the human soul's will to live, to endure and to defy comes across strongly in this short simple novel. Santiago loses the fish, and yet this loss is, indirectly, affirmative.

The Company will utilize the intense, restrained and stylized acting style specific to the Japanese Noh tradition to capture the "hard-boiled" nature of Hemingway's original text. The cast includes Theatre of Yugen's Joint Artistic Directors: Lluis Valls and Libby Zilber. Bay Area puppeteer Max will bring to the production not only her unique skills as a puppeteer but also will be working with glass installation artist Kana Tanaka in creating the look of the set. Kana is originally from Japan and has an extensive background in the creation of glass art. This will be her first collaboration with Theatre of Yugen.

At NOHspace
2840 Mariposa Street @ Florida Street in San Francisco

April 28 - May 21, 2005
Thurs - Sat @ 8pm, actors benefit Monday May 16th

 

 

 

Beautiful Child
by Nicky Silver
Opens on March 31

 

 

How do you love someone who falls outside our moral code? BEAUTIFUL CHILD presents Harry and Nan, a couple whose marriage has become a comfortable battleground of witty barbs and infidelity. Everything they think they know, however, is called into question when their son, Issac, an art teacher and painter comes for lunch and asks if he can stay. The world's no longer a safe place for him, as his secrets are about to become public. He has fallen in love, and has been having an affair, with one of his students, a boy named Brian. Harry and Nan search for clues, desperate to make sense of this horror, alternatively looking for exoneration and punishment for what must be their fault. They want to help their son, who was as Harry ruefully recalls, a beautiful child. They want to love him. But How? And what is their responsibility to the world and to the children in Isaac's future? Magically, this tragedy brings Harry and Nan closer together as they arrive at a decision that's terribly painful and magically restorative.

 

Theater Rhinoceros 2926 16th St SF

Cast: Donald Currie (Harry), Adrienne Krug (Nan),
Ann Lawler (Dr. Elizabeth Hilton / Victor's Mother),
Libby O'Connell (Delia), Matt Weimer (Isaac)
Director: John Dixon
Set: Erik Flatmo
Lights: Dave Robertson
Costumes: Floriana Alessandria

 

 


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